Norman steel

Star prisoners

"In storm and thunder, the Noosphere will be born. In the abolition of war and famine, our Planet as a whole will manifest for the first time. This will be the first manifestation of the transition from the Biosphere to the Noosphere, in which humanity will become a powerful geological force, where its thought, consciousness, and intelligence will be able to manifest geologically." V.I. Vernadsky

Annotation

They departed for the stars, leaving behind only legends and pyramids. But the ancient Egyptians were no primitive builders—they were a mighty race of starfarers. Now one of them, Horus, son of Osiris, returns home after thousands of years of wandering.

But what awaits him home is not the glory of his ancestors, but a world that has forgotten its name and its true creators. The land he remembered as the blooming Hikuptah is now entangled in the paradise of the afterlife—the Noosphere. The system his people created for eternal life has become a prison for billions of souls.

Horus, the last "god" of a vanished civilization, must unite with those he considered savages. Together, they must accomplish the impossible: awaken Memory in the heart of Oblivion itself.

From the deserts of Egypt to the heart of the Orion Nebula, their path leads to the source of the greatest deception and the final choice: destroy the disease or heal it, giving suffering new meaning. Their choice will determine the fate of billions: to remain in a sweet dream or to awaken to the bitter truth of freedom. Even if the price of awakening is chaos.
Chapter 1. Return
The object, cataloged by NASA as 4I/Rubin, was first spotted beyond the orbit of Jupiter. It was of no particular interest—just another chunk of water ice and frozen gases, millions of which roam space. Its trajectory, however, was unusual, indicating an interstellar origin. Astronomers dubbed it "Wanderer."

Wanderer passed the asteroid belt without hitting anything. It swept past Mars without even noticing it. Its path lay toward the Sun. Calculations showed that it would perform a risky gravitational pull around the star and be flung back into the abyss, toward new, unknown worlds.
And so, having reached perihelion, when the Sun's hot corona should have vaporized its icy shell, Wanderer accomplished the impossible.
It didn't evaporate.

Instead, its dark, porous core, not composed of ice at all, absorbed the monstrous energy of the flare. Superconducting circuits, dormant for millennia, awakened. The icy mantle, serving as both shield and camouflage, was cast off, vaporized into a blinding coma that for several hours eclipsed Venus in the Earth's sky. And when the plasma dissipated, ground-based telescopes detected not a cometary nucleus, but a perfectly smooth, elongated object, resembling a black spindle or a spearhead. It was darker than the night sky and absorbed up to 99.9% of the light that fell upon it.

The Wanderer changed course. Now it was hurtling purposefully toward the third planet from the Sun. This was not a dying visitor from the depths of space. It was a ship.
And it was returning home.
Reviews:
  • LitRes
    An interesting example of science fiction, where myth is treated as a trace of technology, not a fairy tale.
    The author works in line with the ideas of Lem and the Strugatsky brothers, but with an eye on modern information theory and cultural memory. Ancient Egypt here is not exotic, but a forgotten engineering project. The noosphere is presented as a malfunctioning system for storing consciousnesses, which connects the text with Philip K. Dick and series like Westworld.

    Importantly, the "gods" lack omniscience. They are bearers of error. This brings the novel closer to the concepts of the Wachowskis and Villeneuve, where technology always turns into an ethical choice.

    The style is dense but transparent. Short scenes. Clear images. A minimum of embellishment, a maximum of meaning. The text does not overwhelm, but invites thought. This is science fiction not about space battles, but about the responsibility of the creator to their creation. Where memory is the weak point of civilization. About freedom, which is always painful. A book for those who are tired of attractions and are looking for intellectual contact with the text.
  • LitRes
    I was expecting a standard story about "ancient gods" preaching to everyone. But the "gods" here are trapped, and their greatest technologies have turned against them.
    There's a strong connection to both classics like Lem and modern cyberpunk, but the blend is completely original. It's a rare case of cutting-edge techno concepts seamlessly intertwined with ancient history—the world of Ancient Egypt.
    I recommend it to anyone tired of space shootouts and looking for some food for thought.

    P.S. I especially liked the Akhenaten storyline—I'd never heard of him before the book, but now I'm intrigued, reading the sources: there really was such a reforming pharaoh. It turns out that even that seemingly "monolithic" era had its revolutionaries and their tragedies.

    I hope there will be a sequel.
  • LitRes
    I read it with great interest. I was captivated by the very hypothesis: what if an ancient civilization didn't simply vanish, but deliberately set out for the stars, leaving behind only ruins and legends?
    And now its representative has returned when no one expected it. The noosphere here isn't magic, but an information network that has suffered a critical failure. The Falcon is disguised as an interstellar comet (a clear reference). And those who departed are not gods, and never claimed to be.
Official soundtrack for the book:
Red Revenge – Eternity
Interesting facts:
For the ancient Egyptians, the constellation Orion was sacred, associated with Osiris, the god of the afterlife and rebirth. The stars of Orion's Belt were considered his resting place, forming a celestial image of the great god and reflecting the myth of resurrection, where the Nile symbolized the Milky Way, and the pyramids of Giza symbolized Osiris's cosmic plan.
The Egyptians saw Orion as the "king of the stars," emphasizing his importance in every way.
The book began in 2012, and Horus' starship was entering the Solar System according to the traditional route for spacecraft. But in 2025, two months before the book's publication, life offered a more elegant alternative.
Amid news of the approaching interstellar object 3I/Atlas, 4I/Rubin was born (named after the observatory named after Vera Rubin).
The book uses the hymn to Aton as an element of information encryption
Contacts:
NormanSteel.info@gmail.com